双年展魅力设计图片-双年展魅力高清图片素材50张-由嗯哼大王创建-大作设计网站

water taxis approaching the venue image © designboom

from left to right : patrizio bertelli, jeff koons, justine koons, miuccia prada, rem koolhaas; maur

‘untitled’ by bruce nauman, 1965 fiberglass, polyester resin 61x335x13cm image © designboom

‘turquoise enamel’ by donald judd, 1967 enameled aluminum 8 elements, 122 x 305 x 20 cm each image ©

‘nobody’ by tom friedman, 2002 construction paper 167.5 x 66 x 25.5 cm images © designboom

‘the double club’ by carsten höller, 2008-09 mixed media variable dimensions image © designboom

‘tulips’ by jeff koons, 1997-2005 high-chromium stainless steel with transparent colour coating 203

‘ars longa vita brevis’ meissen porcelain manufactory 18th century porcelain, overglaze painting, gi

miuccia prada talks with franca sozzani next to jeff koons’ ‘fait d’hiver’, 1988 porcelain 49.5 x 80

‘waiting for inspiration, blue’ and ‘waiting for inspiration, red’ by damien hirst, 1994 glass, stee

reflections in ‘confluenze’ (confluences) by pino pascali image © designboom

‘confluenze’ (confluences) by pino pascali, 1967 and first floor before installment of artwork alumi

first – nobile – floor of ca’ corner della regina, decorated with frescos, stucco and stonework ca’

‘concetto spaziale. la fine di dio’ (spatial concept. the end of god) by lucio fontana, 1963 oil, cu

‘cell (clothes)’ by louise bourgeois, 1996 wood, glass, fabric, rubber , 211 x 442 x 266 cm image ©

‘untitled’, by maurizio cattelan, 1997 taxidermized male ostrich, wood base 75 x 85 x 33 cm image ©

birgit lohmann (designboom) in front of damien hirst’s ‘loving in a world of desire’, 1996 MDF, stee

‘void field’ by anish kapoor, 1989 sandstone, pigment 20 elements, variable dimensions image © desig

detail of pan gongkai’s ‘snow melting in lotus’ image © designboomBTW apparently unaware of the huma

pan gongkai’s ‘snow melting in lotus’ image © designboomfor ‘snow melting in lotus,’ pan gongkai jux

yang maoyuan’s ‘all things are visible’ image © designboom

yang maoyuan’s ‘all things are visible’ image © designboom

yang maoyuan’s ‘all things are visible’ image © designboom

artist yuan gong portrait © designboom

the opaqueness of the smoke image © designboom

image © designboom

two clouds flanking yuan gong’s ’empty incense’ image © designboom

’empty incense’ by yuan gong image © designboom

clouds by cai zhisong image © designboom

each cloud of ‘cloud-tea’ was lightly coated in white paint to add depth and layering image © design

the huge artificial clouds created by young artist cai zhisong image © designboom

‘half mast\full mast’ image courtesy of the artists and lisson gallery, london; barbara gladstone ga

  ‘half mast\full mast’ image courtesy of the artists and lisson gallery, london; barbara gladstone

closer view of solaris 442 sun bed image © designboom

‘armed freedom lying on a sunbed’ image © designboom

another performance of ‘track and field’ image © designboom

‘track and field’ image © designboom

detail of organ, which was shipped from bonn, germany for the work image © designboom

a visitor uses the machine to create her own score image © designboom

‘algorithm’ image © designboom

‘body in flight (delta)’ detailimage © designboom

‘body in flight (delta)’image © designboom

‘body in flight (american)’ side view image © designboom

‘body in flight (american)’ image © designboom

image © designboom

an existing skylight was removed to create this courtyard image © designboom

stray items like this flag remind visitors of the work’s turkish origins image © designboom

a facsimile of a semi-derelict ottoman building image © designboom

hanging chandeliers as well as their separate components below recall trinkets that would have trave

narrow hallways connect the disjointed rooms, calling for limited entry at a time but allowing intim